The environment was grouped around a central tree, whose foliage was comprised of the same asemic text. Deconstruction, in the case of this installation, was not achieved through motion, transparencies, layering or any other such visual means, but instead the confusion was achieved through the very semantic absence itself. It was hoped that this lack of semantic content would enable visitors to draw their own meanings by taking clues from what surrounded them, and how the text was used in conjunction with other visual elements. Yet another addition was a custom designed soundscape, consisting of human sounds such as screams, grunts, sighs, and cries – all of which were devoid of words and meaning, but instead conveyed emotions such as being bound, being helpless, being petrified within a fate.