A wide spread manifestation of asemic writing seems to materialize not through typographic means, but instead as a hybrid form of output that resides somewhere between drawing, doodles, signs or icons which are arranged and aligned in such a way that they resemble text, such as seen in the work of poets Henri Michaux and Christian Dotremont which is discussed by Nina Parish (Parish 2008). A very good visual collection of this genre can also be found in Michael Jacobson blog ‘thenewpostliterate’, which explores asemic writing in relation to post-literate culture.
